Comparative Essay: Landscape

STAGE 5 PDM COMPARATIVE testify ( decorate) Landscape invention courses be a signifi tin cant component in the structure of art, it is a well- establish genre used extensively without the global art industry. Traditionally the principle subject of a grace composition was to successfully portray a scenic view realistically, alone evidently as observed over time has progressed. As demonstrated in present-day(a) nontextual matters, cultural influences, technological advances and other aspects have contributed to the development of the landscape genre.The prevail genre of landscape art has gradually evolved overtime in read to achieve the different objectives of modern creative persons in the art-world, including a considerable drift towards landscape expressionism over realism. Bill Henson and Fred Williams are examples of artists, whom have extensively explored the landscape theme and possess a considerable understanding of the entitle, both(prenominal) enforce landsca pe as a source of insight to roll up their artworks but thither are notable variations amongst the two artists and how they kick in item-by-item techniques.This contrast can be distinguished in the word picture by Williams and the photo captured by Henson. The selected artwork by Williams is a painting, comprised as a piece of a Landscape Series, which is a succession of Australian Landscape depictions. Oil paints stretched on sheet of paper was used to compose the painting, as foreign to Hensons Type C colour crack. The chosen consume work by Henson though denied a title is a piece of his ignoble Series 2001-2002. As accepted in many artworks including Williams landscape, oil paints on canvas is a renowned art medium.A subtle or progressive blending of colours can be achieved with oil paints by the artist when required, furthering the intensity and importance of an artwork. Vibrant depths can also be produced by this medium, complimented by natural lustre and distinctiv e contrast between shade and tone. Whereas Type C colour movie, applied to Hensons photograph is merely a colour photographic print, lacking digital usage. It involves the do of exposing the three different layers to various colours in order to plant or emphasise the composition of colour.This process can be achieved both manually and digitally to adjust the colour balance of a print. devil well-established artists, evidently existing in differing art media and with separate artistic intentions, apply differently the processes they use to achieve their purpose. As identified within the artwork by Williams, the paint was thickly and spontaneously applied on the canvas in order to visually represent a natural landscape, which principally consisted of woodland. Progressive but solid strokes were also used predominantly to compose the artwork, furthering the aspect of abstract within the human body produced.In comparison to Williams painting, the photograph captured by Henson is o f a traditional process, employing Type C colour photograph. inwardly the artwork thither is, though limited, inclusion of artificial components or manipulation of the image to assist his artistic intention. Within the art industry there are many styles and slipway to approach the subject matter of an artwork, more generally these include morphological and subjective components. The identified landscape sample by Williams is a respectable example of abstract art, encompassing a number of structural portions that cooperate to achieve the main purpose of the artist work.For example the use of contrasting colours, such as orangeness and muddied in approach of the abstract style, and the use of visual language are applied to create a focused composition. A subjective element including the form of nimbus and theme imposes a sense of an unconformity, and represents the vastness of the landscape, through exaggeration of the natural features within the artwork. As opposed to William s landscape artwork, the image captured by Henson is considered realism but potentially expressionism.In consideration of the structural aspects that contribute to the approach to the subject matter, the composition of colours used presents to the sense of hearing an intense situation generally circulating the notion of weather. The photograph is an establishing-shot taken of the natural environment, focusing dominantly on the physical elements of nature, aspects such as the blank is provided from a natural source that contributes to the instinctive interpretation. Also an oppressive atmosphere is presented by the subjective element this is also contributed to by the colour and the air of weather.The intentions of an artist are essential in art making, whether it be painting or photography, by applying different art techniques and styles the purpose can be achieved effectively or as how it is intended by the artist. In Williams untitled painting it depicts an abstract, Australia n landscape, through this Williams intends to reveal or exhibit the vastness of the Australian environment. It informs the audience of Williams interpretation of the subject matter, and emphasises on the intensity of the linguistic context through the structure of colours and shades, imposing a fierce atmosphere.This can also be a representation of Australias dry climate, and potentially the fire hazard that Australia constantly exists in. And the trees are an indication of the life that exists in Australia, the use of contrasting colours in respect to blue and orange demonstrates this the composed blue appeasing the rampant orange. Hensons photograph of a natural environment exposes to the audience an element of weather, more specifically crush by the natural element. The use of contrasting colours generally lightlessness and white allows this to be done effectively, showing more prominently the variety of the weather.And confided by the clouds a collapse of light exists si milarly to a archetype of a silver lining in relation to this visual language, that there is a glimpse of hope to escape the oppressive circumstances. As established from Fred Williams and Bill Hensons artworks, it is evident that landscape has been a prominent and recognised genre throughout the art industry. But in accordance to the style and the artists intentions such landscapes are illustrated in various ways through different manners and techniques, exposing the vastness of the genre.